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And I Can㢂¬„¢t Get You Out of My Mind

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2001 unmarried by Kylie Minogue

2001 unmarried by Kylie Minogue

"Can't Go Yous Out of My Head"
A woman is posing while wearing a white dress and high heels. A wired microphone is wrapped up on her left leg. A black box featuring the words 'Kylie' and 'Can't Get You Out of My Head' in white is placed on the right.

Cover of CD 02 and digital releases
Single by Kylie Minogue
from the album Fever
B-side
  • "Boy"
  • "Rendezvous at Sunset"
Released 8 September 2001 (2001-09-08)
Studio Surrey, England
Genre
  • Trip the light fantastic-pop
  • techno-pop
  • nu-disco
Length 3:50
Characterization Parlophone Records
Songwriter(s)
  • Cathy Dennis
  • Rob Davis
Producer(s)
  • Cathy Dennis
  • Rob Davis
Kylie Minogue singles chronology
"Your Disco Needs Yous"
(2001) 		"Tin't Get You Out of My Head"
(2001) 		"In Your Eyes"
(2002)
Music video
"Tin't Get You Out of My Head" on YouTube

"Tin can't Become You Out of My Caput" is a song that was recorded by Australian vocalist Kylie Minogue for her eighth studio album Fever (2001). Parlophone Records released the vocal equally the album'south lead single on 8 September 2001. "Tin't Get Y'all Out of My Head", which was written and produced past Cathy Dennis and Rob Davis, is a dance-pop, techno-pop and nu-disco vocal that is known for its "la la la" hook. Its lyrics are almost obsession with a honey interest. Music critics praised the song's product and Minogue's vocals and labelled it a highlight of Fever.

The song reached number one on charts in 40 countries worldwide. Information technology peaked at number one on the UK Singles Chart for four weeks and was certified 2-times platinum past the British Phonographic Industry (BPI). It also topped the Australian Singles Chart and received a three-times Platinum certification from the Australian Recording Manufacture Association. In the United States, the vocal peaked at number seven on the Billboard Hot 100 chart and became Minogue's first U.s.a. top-ten unmarried in 13 years. As of 2018[update], the track has sold over v million copies worldwide.

Dawn Shadforth directed the music video for "Can't Become You lot Out of My Head", which features Minogue dancing confronting futuristic backdrops; the white one-piece she wore in the video became a mode argument. Since the song's release, Minogue has included information technology on the set lists of various concert tours. "Can't Get You Out of My Caput" appeared on several decade-end lists compiled by media such as Rolling Stone, The Guardian and NME. In 2012, Minogue re-recorded the vocal for her orchestral compilation album The Abbey Road Sessions.

Writing and release [edit]

In 2000, British singer-songwriter Cathy Dennis and English songwriter Rob Davis had been brought together by Universal Publishing to work on new music. The session for "Tin can't Get You Out of My Head" began with Davis generating a 125 bpm drum loop using the computer program Cubase. Dennis improvised with the line "I just can't get you out of my caput", which later became the song's lyric.[1] Afterwards 3 and a half hours, Davis and Dennis had recorded the demo for "Can't Get You lot Out of My Caput" and the vocals were recorded the same 24-hour interval; the pair said the recording procedure was "very natural and fluid", and did not rely on heavy instrumentation.[ane]

Prior to pitching the song to Kylie Minogue, Davis and Dennis unsuccessfully offered it to S Guild 7 and Sophie Ellis-Bextor.[1] [2] Davis then met with Minogue's A&R executive Jamie Nelson, who was impressed by the vocal'southward upbeat production and thought information technology would appeal to clubgoers. Nelson booked the song for Minogue to record.[one] [3] Although Davis idea the recording session would later be cancelled,[ane] Minogue wanted to record the vocal after hearing xx seconds of the demo.[four] The song was recorded at Davis'south home studio in Surrey, England. The music, except the guitar part, was programmed using a Korg Triton workstation via a MIDI interface.[3] Tim Orford was the mix engineer for the vocal.[5] In a 2011 interview Dennis stated, "even though Kylie wasn't the first artist to be offered the song, I don't believe anyone else would take washed the incredible job she did with it".[i]

In 2001, Minogue embarked on the On a Night Like This tour to promote her 7th studio anthology Lite Years (2000).[vi] She premiered "Can't Get Yous Out of My Head" on phase during the tour.[7] It was afterward chosen as the lead single from Minogue'due south eighth studio album Fever and Parlophone Records released it on 8 September 2001 in Australia[7] and on 17 September in the United Kingdom and other European countries.[viii] In the Usa, Capitol Records issued a 12-inch vinyl unmarried on viii January 2002.[9]

Composition and lyrical interpretation [edit]

"Can't Get You Out of My Head" is three minutes and fifty seconds long.[10] In their book The New Rolling Stone Album Guide, Nathan Brackett and Christian David Hoard labelled it a neo-disco track.[11] Justin Myers of the Official Charts Company characterized it as a dance-pop song,[12] while Stereogum's Tom Breinan described it equally a techno-pop canticle.[13] "Can't Get You Out of My Head" is written in the key of D minor.[14]

The song, which does not follow the mutual poetry–chorus structure, is equanimous of numerous fragmented sections.[1] Co-ordinate to Davis, it "breaks a few rules as it starts with a chorus and in comes the 'la's'".[1] Minogue chants a "la la la" hook that is often noted equally the song's most highly-seasoned function by music critics.[15] [16] Co-ordinate to BBC Radio ii, the song'southward composition is "deceptively simple, merely its veins run with the whole history of electronic music".[17] The writer described the song's bassline as "pulsing" and influenced by the music of English rock ring New Order and German language electronic music band Kraftwerk.[17]

"Tin't Get You lot Out of My Head" is virtually an obsession with an unknown person, who according to The Guardian's Dorian Lansky could exist "a partner, an evasive 1-night stand or someone who doesn't know [the song'southward narrator] exists".[15] Writing for the same newspaper, Everett True identified a "darker chemical element" in the unproblematic lyrics and said this sentiment is echoed in Minogue's restrained vocals.[18] True as well said while Minogue's before piece of work presented an optimistic romantic future, "Tin can't Get You Out of My Caput" focuses on an unhealthy and potentially subversive obsession.[xviii] He noted in her earlier songs, Minogue played "the wide-eyed ingénue with alacrity" merely that in this track, she is enlightened of the harmful nature of her infatuation, which True called a "want that is wholly dependent on her ain cocky-control".[18]

In 2012, Minogue re-recorded "Tin can't Get You Out of My Head" for her orchestral compilation album The Abbey Road Sessions.[nineteen] The 2012 version of the song has an altered musical organization and uses a pizzicato playing technique in which the strings of a string musical instrument are continuously plucked.[20] [21]

Critical reception [edit]

Chris True of AllMusic picked "Can't Get Y'all Out of My Head" as a highlight of Fever, saying it "pulses and grooves like no other she's recorded".[22] Entertainment Weekly 'south Jim Farber said the vocal "fully lives up to its championship" and compared information technology to the music of American vocalist Andrea True.[23] PopMatters' Jason Thompson described Minogue's vocals equally a "sexual come on" and called the song "trim and funky".[24] Dominique Leone of Pitchfork wrote that the vocal "exudes a catchiness that belies its inherent simplicity, so reassuring during an era when chart acts sound increasingly bizarre and producers race to see who tin can ape electronic music trends start".[25]

In 2012, The Guardian critic Everett True divers "Can't Become You lot Out of My Head" every bit "one of those rare moments in pop: sleek and chic and stylish and damnably danceable, only with a darker element hidden in plain sight".[eighteen] In a 2014 retrospective review, Billboard 's Jason Lipshutz praised Minogue'due south vocals and said they complement the production, and that; "her phonation operates alongside it, finding renewed power in its bulldoze".[26] Olive Pometsey of GQ deemed it "the sound of the noughties", highlighting the synthesisers that create "a moment of pure popular perfection".[27] Writing for the Herald Sun, Cameron Adams placed "Can't Go Y'all Out of My Head" at the peak of his listing of Minogue'south best songs and called it "a happy blow". Adams wrote, "if yous could program a computer to codify the perfect pop song, it would sound similar this".[28]

Reviewing The Abbey Route Sessions ' version of the song, Tim Sendra of AllMusic said the "most interesting reboot" on the album took place on "Tin can't Get You Out of My Head", saying the "insistent strings push button the song forth with tightly coiled electricity that is impossible to resist".[19] Sal Cinquemani of Camber Magazine chose the song as one of the album's highlights, saying its arrangement makes up for the absence of dance beats and vocal product.[20] The Independent 's Simon Price wrote while the original version of "Can't Get Yous Out of My Head" would exist "incommunicable to improve on", the reworked version "turns information technology into a pizzicato thriller score".[21] Co-ordinate to Jude Rogers of The Quietus, the vocal'southward orchestral treatment does not work well for its memorable electronic production.[29]

In 2003, Q Mag ranked "Tin can't Get You Out of My Head" at number 694 on their listing of the 1001 Best Songs Ever.[30] In 2011, Rolling Stone magazine placed it at number 45 on their 100 Best Songs of the 2000s list, noting Minogue "seduced the U.s. with this mirror-ball classic".[31] NME ranked the song at number 74 on their 100 Best Track of the Noughties list, saying it "encapsulated everything enviable in a well-crafted song" and that it is Minogue'southward best single.[32] In 2012, Priya Elan of NME placed the song at number iv on her The Greatest Pop Songs in History list.[33] In 2012, The Guardian included the song on their list of The Best Number 1 Records in the United kingdom, labelling it "sleek, Chill-blue minimalism, like an emotionally thwarted retelling of Donna Summer's 'I Feel Dearest' ".[15] "Can't Get You Out of My Head" won the honour for All-time Single at the 2001 Tiptop of the Pops Awards anniversary.[34] At the 2002 ARIA Music Awards ceremony, it won the awards for Single of the Year and Highest Selling Single, and Minogue won the Outstanding Achievement Award.[35] In 2002, it won a Dutch Edison Award for Single of the Yr.[36] At the countdown Premios Oye! in 2002, the song received a nomination in the Vocal of the Year category.[37]

Commercial operation [edit]

"Can't Go You Out of My Head" reached number one in forty countries worldwide.[33] In Australia, the song entered the singles chart at number ane and remained there for iv consecutive weeks.[38] The Australian Recording Manufacture Association certified it three-times Platinum, for shipments of over 210,000 copies.[39] In the Great britain, it faced contest from Victoria Beckham'southward single "Not Such an Innocent Girl" (2001).[xl] [41] [42] On the 29 September 2001 United kingdom Singles Nautical chart, "Can't Become You Out of My Head" debuted at number ane with first-calendar week sales of 306,000 copies.[43] It spent four weeks at number one and remained for 25 weeks in the UK's top forty.[44] It was certified two-times Platinum by the British Phonographic Industry.[45] As of 2021, it has sold over one.53 meg copies,[46] and past 2013 information technology was the country's 75th all-time-selling single of all time.[47] In the U.s., "Can't Get You Out of My Head" peaked at number seven on the Billboard Hot 100 chart[48] and became Minogue's best-selling US unmarried since "The Loco-Motion" (1987).[49] The Recording Industry Clan of America certified "Can't Get You lot Out of My Head" Aureate for shipments of over 500,000 copies.[l]

The vocal was also certified Golden in Belgium, and New Zealand, Platinum in Republic of austria, France, Deutschland, Hellenic republic, the netherlands, Norway, South Africa, Sweden, and Switzerland; and 2-times Platinum in Italy.[51] Every bit of February 2018, it is Minogue'due south highest-selling single with worldwide sales of over five meg copies.[52]

Music video [edit]

Development and synopsis [edit]

Minogue wearing a white hooded jumpsuit

A scene from the song'due south music video where Minogue wears a white hooded jumpsuit.

British director Dawn Shadforth directed the music video for "Can't Go You lot Out of My Head",[53] which includes dance routines that were choreographed by American choreographer Michael Rooney.[54] Minogue'due south looks—her youthfulness, slim figure and proportionally large rima oris–had attracted comments on her exotic paradigm; the British tabloid newspaper News of the World suggested she might be an alien.[53] Shadforth and music critic Paul Morley took the comments on Minogue'due south looks into consideration, commenting on her as a "creative, experimental creative person" by placing her confront shut to the photographic camera lens in the music video, distorting her face up merely retaining her glamour.[53]

The video begins with Minogue driving a De Tomaso Mangusta sports car while singing the song.[55] The next scene depicts a number of couples dressed in blackness and white costumes performing a trip the light fantastic routine; they are presently joined past Minogue, who has wavy light-dark-brown pilus and is wearing a white tracksuit. The setting changes to a room where Minogue, now with straight hair and cherry-red lipstick, and wearing a white one-piece with a neckline plunging down to her omphalus, is hitting poses.[56] The outfit was designed by London-based fashion designer Fee Doran nether the label Mrs Jones.[56] Co-ordinate to Minogue, the outfit was inspired by fashion designs worn by Jamaican singer and model, Grace Jones.[57] Minogue so performs a synchronised dance routine with several backup dancers, who are wearing carmine-and-black suits.[17] Every bit the video ends, Minogue—again with curly pilus and wearing a lavender halter-neck dress with ribbon tile trim, performs a like routine on height of a edifice at night.[58]

Impact [edit]

At the 2002 MTV Video Music Awards ceremony, the music video was nominated for Best Dance Video; Rooney won the accolade for Best Choreography.[59] The hooded white jumpsuit Minogue wore in the music video is often considered to be one of her most iconic looks, particularly considering of its deep, plunging neckline.[56] [60] [61] Minogue'southward stylist William Baker described the choice of the outfit, saying, "it was pure but kind of slutty at the same time".[56] The outfit was put on display at Kylie: The Exhibition, which featured memorabilia and costumes from Minogue's career, which was held at the Victoria and Albert Museum in London, and at the similar Kylie: an exhibition at the Powerhouse Museum in Sydney.[58] [62] The jumpsuit was also included in Minogue'due south official fashion photography book Kylie / Mode, which was released to celebrate her 25 years in music.[61]

The music video served every bit an inspiration for Morley while writing his book Words and Music: The History of Pop in the Shape of a City. In information technology, Morley said he "turned the lonely drive [Minogue] fabricated in the vocal'south video towards a urban center ... into a fictional history of music".[63] University lecturers Diane Railton and Paul Weston, in their 2005 essay "Naughty Girls and Red Blooded Women (Representations of Female Heterosexuality in Music Video)", contrasted the music video of "Tin't Go You lot Out of My Head" with that of Beyoncé's 2003 single "Babe Boy"; while both videos focus on two singers performing seductive trip the light fantastic toe routines, Minogue is presented in a calculated way and "is ever conditional, restricted, and contingent", whereas Beyoncé displays a detail "primitive, feral, uncontrolled and uncontrollable" sexuality that is embodied in the blackness female body. Railton and Weston said the videos are representative of the depictions of white and black women in colonial times and pop culture, respectively.[64]

Live performances [edit]

Minogue performing while wearing a gold metallic blouse and jeans

Minogue performing "Can't Go Yous Out of My Head" during the Golden Tour (2018–2019)

On two September 2001, Minogue performed "Can't Get You Out of My Caput" at the BBC Radio one 1 Big Sunday bear witness in Leicester, UK.[65] She sang the song on eight November 2001 at the MTV Europe Music Awards ceremony in Frankfurt.[66] At the 2002 Brit Awards held on 20 February 2002, Minogue performed a mash-up version of "Can't Get Y'all Out of My Head" and New Club'south song "Blueish Mon" (1983).[33] The performance was ranked at number forty on The Guardian 's 2011 list of 50 Key Events in the History of Trip the light fantastic toe Music.[67] The mashup was titled "Can't Become Blue Monday Out of My Head"; it was released as the B-side of "Dear at Outset Sight" and was included on Minogue's remix album Boombox (2008).[68] [69] On 16 March 2002, Minogue performed "Can't Get You Out of My Head" along with "In Your Eyes", on the US television bear witness Sabbatum Dark Live.[70] On thirteen December 2002, Minogue performed the song aslope "Come up into My Globe" on Good Morning America.[71]

In 2001, "Can't Become Y'all Out of My Caput" was included on the set list of Minogue's "On a Night Like This tour[72] and the encore segment of the KylieFever2002 tour, which promoted Fever.[73] In 2003, Minogue performed "Can't Become You Out of My Head" at the one-night concert Money Can't Purchase at the Hammersmith Apollo in London in support of her ninth studio album Body Linguistic communication.[74] In 2005, she performed the song on her Showgirl: The Greatest Hits tour[75] and on her Showgirl: The Homecoming tour in 2006–2007.[76] In 2008, she sang "Tin't Get You Out of My Head" on the KylieX2008 tour.[77] In 2009, Minogue performed the song on the For You, for Me tour, which was her showtime concert tour of North America.[78]

A rock-oriented version of the song was performed during the Aphrodite: Les Folies Bout in 2011.[79] The post-obit year, Minogue promoted The Abbey Road Sessions by performing at the BBC Proms in the Park at Hyde Park, London.[eighty] During the effect, she sang the orchestral version of "Tin can't Go Yous Out of My Caput".[81] She performed the same version of the song on series 9 of The 10 Gene in the United Kingdom on 8 December 2012.[82] A "slower, darker version" of the song was included on Minogue's Kiss Me Once Tour (2014–2015) set listing.[83] She also included "Can't Get You Out of My Head" on the 2015 Royal Albert Hall performance as part of her A Kylie Christmas concert.[84] An acoustic-guitar-driven version of the song was performed on the Golden Tour (2018–2019).[85] In 2019, during her Glastonbury Festival gear up, Minogue was joined past English singer Chris Martin and they performed "Can't Get You Out of My Head" together.[86]

Legacy [edit]

Co-ordinate to author Lee Barron, "Can't Get You Out of My Head" "further established Minogue's cultural and commercial relevance in the new millennium".[87] He said the song "with its hypnotic 'la la la' refrain and the deceptively uncomplicated, catchily repetitive beats and synth-audio, marked withal another clearly defined prototype transformation from the camp-infused Light Years to an accent upon a cool, machine-like sexuality".[87] Everett True of The Guardian wrote the song continued Kylie'south transition from the girl-next-door to "flirtatious, sophisticated persona" that started with the release of "Spinning Around" in 2000.[18] True said the success of "Tin can't Get Yous Out of My Caput" was one of the motivating factors behind "manufactured" popular music gaining "new postmodern respectability" and marked a "clear shift in mental attitude towards pop music amid the 'serious' rock critic fraternity".[18]

Publications like The Guardian and Rolling Stone recognise "Can't Become You lot Out of My Head" as Minogue's signature song.[18] [88] In 2012, the UK bureau PRS for Music, which collects royalties on behalf of songwriters and composers, named "Can't Become You Out of My Caput" the about popular vocal of the decade because it received the most airplay and live covers in the 2000s decade.[89] [90]

Track listings [edit]

Charts [edit]

Certifications and sales [edit]

Run across also [edit]

  • List of number-one singles of 2001 (Commonwealth of australia)
  • List of number-one hits of 2001 (Republic of austria)
  • Ultratop 50 number-one hits of 2001
  • Ultratop 40 number-one hits of 2001
  • List of number-one songs of the 2000s (Denmark)
  • Listing of European number-one hits of 2001
  • List of number-one singles of 2001 (France)
  • Listing of number-one hits of 2001 (Germany)
  • List of number-1 singles of 2001 (Ireland)
  • List of number-one hits of 2001 (Italian republic)
  • List of Dutch Top 40 number-ane singles of 2001
  • List of number-one singles from the 2000s (New Zealand)
  • Listing of number-one songs in Norway
  • List of number-1 singles of 2001 (Kingdom of spain)
  • Listing of number-one singles of the 2000s (Sweden)
  • Listing of number-one singles of the 2000s (Switzerland)
  • Listing of UK Singles Chart number ones of the 2000s
  • Listing of number-i dance singles of 2002 (U.S.)

References [edit]

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Further reading [edit]

  • Sheridan, Simon (2009). The Complete Kylie (2nd ed.). Reynolds & Hearn Books. ISBN978-1-9052-8789-v.

External links [edit]

  • "Can't Get You Out of My Caput" at Kylie Minogue's official website

hollawaydautly1938.blogspot.com

Source: https://en.wikipedia.org/wiki/Can%27t_Get_You_Out_of_My_Head

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